 Between experiential testimonial creativity and environmental antagonism: whither the creative conscience of the playwright? By Emmy Ikanaba Unuja Idegu.  When pain inspires play: a playwright’s validation on Idegu’s experiential testimonial creativity (ETC) theory by Iheanacho C. Iweha.  Experiential testimonial creativity and theatre for development as tools and sites for public Pedagogy by Patricia N. Nkweteyim.  A discourse of Emmy Idegu’s experiential testimonial creativity theory: the field marshals’ exeunt and kwarapchan in focus by Oja Paul Egwemi & Jibril Imam Mohammed-Kabir.  Experiential testimonial creativity theory: provoking thoughts for dramatic criticism by Olivia Elakeche Idoko & Peter Ogohi Salifu.  Creative writing and theory is a goatskin bag: Idegu carrries his own in the selected plays by Onyekachi Peter Onuoha.  Framing experiential testimonial creativity as theory by Oluwasegun Michael Babatunde.  Reading Idegu’s plays from the lens of experiential testimonial creativity theory by Godwin Onuche.  Interrogating an experience of academic politics in Emmy Idegu’s dramaturgy by Jibril Imam Mohammed-Kabir & Musa Salifu.  Of alienation and fixation discourse of theatrical personalities beyond their dramaturgical representation by Oluwafemi Akinlawon Atoyebi.  Of emotional proximity and creative response in playwright: an ETC reading of Emmy Idegu’s drama by Yusuf Ninzim Shamagana.  The native narrator in a crazy world: a scrutiny of “the crazy world” in Lucky Dube’s crazy world by Ihuoma Okorie.  Rethinking the tragic, the absurd and the concept of heroism in the two dramatic memoirs on UNIOSUN sex scandal beyond “experiential testimonial creativity theory” by Olabode Wale Ojoniyi.  The universality of Emmy Ikanaba Unuja Idegu’s Experiential Testimonial Creativity (ETC) by Gambo Sani.  Of activist theatre and hegemonic mischief in literary censorship: a perspective of Emmy Idegu’s autobiographical drama by Oluwafemi Akinlawon Atoyebi.  Two angry writers, one country: interrogating the experiential testimonial creativity theory in the interviews and plays of Emmy Idegu’s and Esiaba Irobi by Reuben Embu & Iheanacho Iweha.  Experiential testimonial creativity theory and the search for safe spce: an instance of Emmy Idegu’s thefield marshals’ exeunt bu Onogu Willams Sunday, Atule Egwu Emmanuel & Ali Umar Ojodale.  Becoming Malcolm: an actor’s experiential journey of immersion in the stage performance of Jeff Stetson’s the meeting by Prince Nathan Kure.  The consciousness of the consciousness of another: a phenomenological reading in Emmy Idegu’s Experiential Testimonial Creativity (ETC) by Victor Osae Ihidero.  Theory and creativity in contemporary playwright: an interview with professor Emmy I.U. Idegu.