National Repository of Nigeria

The Apex Repository of the Federal Republic of Nigeria with objectives to:

  • Preserve in electronic format the intellectual and cultural resources of Nigeria for posterity.
  • Increase the visibility of the Nigerian knowledge storehouse and its scholarly, literary and cultural heritage; and
  • Increase the availability and accessibility of Nigerian content to the global community.
 

Our Categories

Select a Category to browse its collections.

Now showing 1 - 10 of 20
  • Speeches/Essays of past and present Presidents, Political office holders of the Federal Republic of Nigeria and other well meaning Nigerians
  • These are a collection of sound recordings, such as lectures, interviews, podcasts, music, and oral histories. These audio materials cover a wide range of topics and are available for listening, learning, and research purposes."
  • Collection containing extensive selection of framed autographs, manuscripts, historical books and materials from pre-colonial times
  • A collection of the constitutions, Laws and Acts of the Federal Government of Nigeria, all Political parties and parastatals
  • Historical information of Nigerians based on personal narration
  • A collection of all official government gazettes and circulars by the Federal Government of Nigeria and its federating states.
  • These are a collection of materials that support the preservation, promotion, and revitalization of indigenous languages. These resources include language learning materials, dictionaries, stories and cultural documents that reflect the linguistic and cultural diversity of indigenous communities."
  • A collection of writings on different subjects published in journals and other periodicals
  • A collection of Maps of different locations in Nigeria

Recent Submissions

ItemOpen Access
Coming out of Grief
(Scholars' Spot (Centre for Research, Editorial and Publishing Services) University of Abuja, Nigeria, 2025) UMOETTE, Mkpoisonke Okon
Chapter 1: The Weight of Silence Chapter 2: The Rage Beneath Chapter 3: Who Am I Now? Chapter 4: Seeds in Dark Soil Chapter 5: Letters to Tomorrow Chapter 6: The Art of Letting Go Chapter 7: The Lighthouse Keeper's Daughter Chapter 8: When the Skies Swallowed our Son Chapter 9: Coming Home to Yourself
ItemRestricted Access
Women, trousers and scarf: what about transgenders? Must women wear a head covering? Are trousers for men only?
(Kubwa, Abuja: SAWO Media Publications SMP,, 2021) AJILORE, Samson
■ Does the Bible forbid women from wearing trousers? ■ What about head covering?
ItemRestricted Access
The Void: where failures become de rigueur.
(Lagos Island, Lagos State(Lane 8 by Animashaun street, off Adeola Odeku): JD digital Design & Print Studio, 2020) KAYODE, O. Sinmidele Valentine
ItemRestricted Access
Family Vision
(Benin City, Edo State(No.1 Faith Way, GRA): Naphtali Publishing,, 2025) AHMED, Kite
 Family Vision Unveiled  Defining your family values  Crafting a family mission statement  Settling family goals  Living your family vision daily
ItemOpen Access
BEYOND Theory: essays and criticism on Emmy I. U. Idegu's Experiential Testimonial Creativity (ETC)
(Yenagoa, Bayelsa State(No. 25 Imgbi Road Amarata): Zilies Prints & Publishing,, 2025) Department of Theatre and Performing Arts, Ahmadu Bello University Zaria; Edited by Olagoke Olorunleke Ifatimehin
 Between experiential testimonial creativity and environmental antagonism: whither the creative conscience of the playwright? By Emmy Ikanaba Unuja Idegu.  When pain inspires play: a playwright’s validation on Idegu’s experiential testimonial creativity (ETC) theory by Iheanacho C. Iweha.  Experiential testimonial creativity and theatre for development as tools and sites for public Pedagogy by Patricia N. Nkweteyim.  A discourse of Emmy Idegu’s experiential testimonial creativity theory: the field marshals’ exeunt and kwarapchan in focus by Oja Paul Egwemi & Jibril Imam Mohammed-Kabir.  Experiential testimonial creativity theory: provoking thoughts for dramatic criticism by Olivia Elakeche Idoko & Peter Ogohi Salifu.  Creative writing and theory is a goatskin bag: Idegu carrries his own in the selected plays by Onyekachi Peter Onuoha.  Framing experiential testimonial creativity as theory by Oluwasegun Michael Babatunde.  Reading Idegu’s plays from the lens of experiential testimonial creativity theory by Godwin Onuche.  Interrogating an experience of academic politics in Emmy Idegu’s dramaturgy by Jibril Imam Mohammed-Kabir & Musa Salifu.  Of alienation and fixation discourse of theatrical personalities beyond their dramaturgical representation by Oluwafemi Akinlawon Atoyebi.  Of emotional proximity and creative response in playwright: an ETC reading of Emmy Idegu’s drama by Yusuf Ninzim Shamagana.  The native narrator in a crazy world: a scrutiny of “the crazy world” in Lucky Dube’s crazy world by Ihuoma Okorie.  Rethinking the tragic, the absurd and the concept of heroism in the two dramatic memoirs on UNIOSUN sex scandal beyond “experiential testimonial creativity theory” by Olabode Wale Ojoniyi.  The universality of Emmy Ikanaba Unuja Idegu’s Experiential Testimonial Creativity (ETC) by Gambo Sani.  Of activist theatre and hegemonic mischief in literary censorship: a perspective of Emmy Idegu’s autobiographical drama by Oluwafemi Akinlawon Atoyebi.  Two angry writers, one country: interrogating the experiential testimonial creativity theory in the interviews and plays of Emmy Idegu’s and Esiaba Irobi by Reuben Embu & Iheanacho Iweha.  Experiential testimonial creativity theory and the search for safe spce: an instance of Emmy Idegu’s thefield marshals’ exeunt bu Onogu Willams Sunday, Atule Egwu Emmanuel & Ali Umar Ojodale.  Becoming Malcolm: an actor’s experiential journey of immersion in the stage performance of Jeff Stetson’s the meeting by Prince Nathan Kure.  The consciousness of the consciousness of another: a phenomenological reading in Emmy Idegu’s Experiential Testimonial Creativity (ETC) by Victor Osae Ihidero.  Theory and creativity in contemporary playwright: an interview with professor Emmy I.U. Idegu.